Skip to main content

Audio Described Full Bar  Closed Captions RealD 3D Theater Ears Wheelchair Accessible

Today's Movie

Mufasa: The Lion King Poster

Certificate PG   -   Animation | Adventure | Drama | Family | Fantasy | Musical

IMDB Rating: 6.8/10 (5,776 user ratings) 56 | Rank: 30

Showtimes: 

Next Event:

Mufasa the Lion King photo
Mufasa Activity Zone
Sat Dec 28 @12:00PM
Category: Other

REVIEW

Satiated: Phantogram

29 April 2017
  • Written by
    Jenny Schlax
  • Photographed by
    Paul Dunkley
Sarah Barthel
  • dunkley1
  • dunkley2
  • dunkley3
  • dunkley4
  • dunkley5

 

It’s weird to leave your house in black fishnet stockings, a small black dress, and tall black suede boots in broad daylight. The neighbors look twice. But when the sultry, electro-rock group Phantogram comes to Santa Barbara, you better look the part.

Just off the first weekend of Coachella, the duo was fresh and full of energy as they performed in front of a completely packed house at the Arlington Theater. Recently transformed into a platinum blonde, Sarah Barthel epitomized the glamorous rock vixen clad in tall leather boots and not much else, while Josh Carter remained true to his jeans and cap. The large crowd itself was an eclectic mixture of casual and over-the-top rock outfits that made people-watching in the lobby a true sport.

Phantogram is touring in support of their third studio album, aptly named Three. The duo’s sound has matured and solidified over the years, and they are now quite an impressive live band. Named after an optical illusion in which 2-dimensional images appear to be 3D, Phantogram brings this illusion to the stage with them with intense light imagery splayed across the entire set reinforcing the intensity and depth of the music. 

They hit the stage hard with their narcissistic song, “You’re Mine,” heavy on the beats and dark lyrics. Easily moving into “Same Old Blues” and newly added to the set-list “Run, Run, Blood” off Three. It was impressive how Phantogram stayed true to the newer songs, interweaving older songs in the middle including “Black Out Days,” Fall in Love,” and “When I’m Small,” and ending with Josh’s newer solo song “Barking Dog,” followed by “Cruel World” and then finally the big hit “You Don’t Get Me High Anymore,” they effortlessly created a set that moved from new-to-old to-new again.

Beats and vocals filled every corner of the packed house. The growth and sound of the band is phenomenal considering, as Sarah relayed, the first time they played Santa Barbara they played at the Mercury Lounge seven years ago. The band I saw tonight definitely knew what I was craving and knew how to satiate it. (Take it, take it, take it like you love it now.)

Phantogram, http://www.phantogram.com 

Brought to you by Museum of Contemporary Art Santa Barbara: MCASB,  http://mcasantabarbara.org 

In conjunction with http://www.janemusicgroup.com  and http://www.redeyelife.com

Copyright In Color. Most photos Copyright AArthurFisher.com, strictly enforced.
The opinions presented here are those of the authors. They do not necessarily represent The Arlington Theatre management.
In Color makes no warranty towards information on this site.

Santa Barbara International Film Festival photo from State Street